( TV: The Sound of Drums) However, the Doctor and the Master later realised that the Drumming truly existed, when, as it got louder and louder, it finally reached the point that the Doctor could hear it by pressing his forehead against the Master's. It is of this madness that the Doctor thought the constant drumming the Master heard, worsening every day, was a manifestation. The Tenth Doctor believed that this, when the Master "saw eternity", was "where it all started", the sight having driven his friend mad as it had many other Time Tots before him. At age eight, as per the traditional initiation rite of Time Lords, the Master was made to stand before the Untempered Schism, looking into the raw power of the Time Vortex. It’s time for the Doctor to drop in on Beethoven or Elvis Presley, or anyone except Andrew Lloyd Webber.The Master suffered from the Drumming ever after his entrance into the Time Lord Academy. He was followed by William Shakespeare and Agatha Christie, leaving writers pretty well covered, and then Van Gogh, to tick off the visual arts. One of Russell T Davies’s big innovations when he brought the show back – such a big innovation, in fact, that it felt like it had always been part of the show – was the “celebrity historical”, and the first subject of one of these episodes was the author Charles Dickens.
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It’s hard to carry a tune in a speech bubble, but this story tries gamely with lyrics like “Technobabble, technobabble, half the time it sounds like he’s gone mental, technobabble, technobabble, my brain’s not dimension transcendental”.īut to really see the idea live up to its full potential, we’ve got to see it happen on the screen, and not just so we can enrage thousands of fans by having a legion of Cybermen do “the robot”. Perhaps the most surprising attempt at a Doctor Who musical, however, comes from the Doctor Who Magazine monthly comic, with the story “Planet Bollywood”. Everyone reading this who’s already heard that one will now be humming “Jo is making a thing”. Third Doctor companion, Jo Grant, has also featured in the story ‘The Scorchies’, which sees her trapped by aliens posing as a Muppets-esque 70s children’s show, with catchy songs that will stay in your head for years. The Sixth Doctor adventure, ‘Doctor Who and the Pirates’ features several Gilbert & Sullivan-inspired numbers. Big Finish audios, perhaps naturally, have been the first to venture into this territory.
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No, we’re not counting ‘The Gunfighters’.īut while the TV show is yet to give us the extravaganza we deserve, Doctor Who has always been far more than just a TV show, and others have tried to make this vision a reality. You’re going to be imagining that Davros showstopper though.īut while the TV show has skirted around the edge of a musical a few times, it has never gone all the way. Just kidding, it’s the Master, with his wonderful rendition of The Scissor Sisters’ ‘I Can’t Decide’ in ‘Last of the Time Lords’, and most recently, his unforgettable, in-costume dance routine to Boney M’s ‘Ra Ra Rasputin’. The show has also given some fantastic song and dance numbers to its most fabulous villain: Davros. Neil Hannon, frontman of The Divine Comedy, has also contributed songs in the form of ‘A Song for Ten’ and ‘Love Don’t Roam’. The show has featured guest stars from classically trained singer Katherine Jenkins in ‘ A Christmas Carol‘, to Kylie Minogue herself, and that’s without mentioning that before she hopped in the TARDIS, Billie Piper was mainly known for singing (that song so loud). Since it came back in 2005, music has been integral to the show, and not just in the form of Murray Gold’s legendary scores. The Doctor has tried their hand at numerous instruments over the years, from Troughton’s recorder to McCoy’s spoons, to Capaldi’s electric guitar (and who can forget the Eleventh Doctor’s turn on the triangle in the aria ‘L’amour est un oiseau rebelle’?) Are we talking about musicals or Doctor Who? You just don’t know! “I’m not sure if it’s Marxism in action or a West End musical!”ĭoctor Who has never been too far away from bursting into song anyway.
Outlandish costumes, huge set pieces, over-the-top performances and piles upon piles of camp. It would not be the first show to try this ( Buffy, Scrubs, Lucifer, The Afterparty and It’s Always Sunny in Philadelphia are some of the more successful examples), not by a long shot, but it is an incredibly natural fit.
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